SECRET CHAMBERS

Robert Bauval

1

999

Page 86

"This word is formed by three signs, an 'eye-shaped' symbol, an 'owl' and a 'standard or post', all forming the phonetic word 'M(e)r'. Edwards showed that the determinative for the word 'r', which means 'to ascend', is, in fact, the sign to denote a stepped pyramid or Primeval Mound.¹²⁴ He then pointed out that the 'm' sign, which means 'place', has led him to conclude that the word 'Mer', therefore, could mean 'the place of Ascension'."

MER

TRANSPOSED VIA THE MAGIKALALPHABET

M = 13 1+3 = 4

E = 5

R = 18 1+8 = 9

First transposition. Total 13+5+18 = 36 and 3+6 establishes a numerical root value for the word MER of 9

Second transposition. Total 4+5+9 = 18 and 1+8 = 9

THINK

THE 99 NAMES OF GOD

I = ME, R.  AND MER = 9 AND 9 = ME AND ME = I AND I = 9 AND 9 IS THE I

OF

THAT I THAT

ISISIS

THINK ME THINK

MASS ENERGY ISISIS ENERGY MASS

M + E = E + M

5 + 13 = 18 and 1+ 8 = 9 9 = 8 + 1and 18 = 13 + 5

THE PRIMEVAL MOUND KNOWN AS THE

OMPHALOS 

Page 88

"In these passages from the Pyramid Texts we are thus provided with a potent link between the 'Eye' and 'Throne' symbols, both now merging with the resurrection or reawakening of Osiris in his tomb. Let us hold this strange imagery in our mind while we return to the depictions in Fig. 10 (fig omitted) showing the Primeval Mound and the House of Sokar. In this depic-tion it is obvious that the throne is intended to represent the 'Benben' symbol, for it was the latter that was deposited by the Bennu-Phoenix on the summit of the original Primeval Mound whe)'1 the new age was / Page 85 /announced. And this imagery, of course, takes us to the monumental pyramids themselves, for as we have noted for many researchers including Dr I.E.S. Edwards the stepped pyramids of the third Dynasty were almost certainly representative of the Primeval Mound.¹²¹ Indeed, the hieroglyphic sign of a stepped pyramid was often used to denote the Primeval Mound.¹²² It is also known that the true, smooth-faced pyramids of the Fourth Dynasty, which include the Giza group, incor-porated within their structural core a stepped pyramid, a fact that is very suggestive that they, too, were to be regarded as symbolic of the Primeval Mound.¹²³ In Fig. 13 (figure omitted) showing the Primeval Mound on which Osiris is seated on the throne, the Mound itself is fixed along the four astronomical directions, again a strong clue that it is meant to represent a classical pyramid monument whose four sides were always aligned towards the four astronomical (or cardinal) directions. This notion is / Page 86 / further strengthened by the analysis made by Dr Edwards for the word 'Mr', which stood for 'pyramid'. This word is formed by three signs, an 'eye-shaped' symbol, an 'owl' and a 'standard or post', all forming the phonetic word 'M(e)r'. Edwards showed that the determinative for the word 'r', which means 'to ascend', is, in fact, the sign to denote a stepped pyramid or Primeval Mound.¹²⁴ He then pointed out that the 'm' sign, which means 'place', has led him to conclude that the word 'Mer', therefore, could mean 'the place of Ascension'.125

THINK

AGAIN

99 NAMES OF GOD THAT GOD OF NAMES 99

I = ME + R.  AND M+E+R = 9 AND 9 = ME AND ME = I AND I = 9 AND 9 IS THE I

THINK

MOTHER

ME OTHER THE OTHER ME

THE PRIMEVAL MOUND KNOWN AS THE

OMPHALOS 

Page 88

"In these passages from the Pyramid Texts we are thus provided with a potent link between the 'Eye' and 'Throne' symbols, both now merging with the resurrection or reawakening of Osiris in his tomb. Let us hold this strange imagery in our mind while we return to the depictions in Fig. 10 (fig omitted) showing the Primeval Mound and the House of Sokar. In this depic-tion it is obvious that the throne is intended to represent the 'Benben' symbol, for it was the latter that was deposited by the Bennu-Phoenix on the summit of the original Primeval Mound whe)'1 the new age was / Page 85 /announced. And this imagery, of course, takes us to the monumental pyramids themselves, for as we have noted for many researchers including Dr I.E.S. Edwards the stepped pyramids of the third Dynasty were almost certainly representative of the Primeval Mound.¹²¹ Indeed, the hieroglyphic sign of a stepped pyramid was often used to denote the Primeval Mound.¹²² It is also known that the true, smooth-faced pyramids of the Fourth Dynasty, which include the Giza group, incor-porated within their structural core a stepped pyramid, a fact that is very suggestive that they, too, were to be regarded as symbolic of the Primeval Mound.¹²³ In Fig. 13 (figure omitted) showing the Primeval Mound on which Osiris is seated on the throne, the Mound itself is fixed along the four astronomical directions, again a strong clue that it is meant to represent a classical pyramid monument whose four sides were always aligned towards the four astronomical (or cardinal) directions. This notion is / Page 86 / further strengthened by the analysis made by Dr Edwards for the word 'Mr', which stood for 'pyramid'. This word is formed by three signs, an 'eye-shaped' symbol, an 'owl' and a 'standard or post', all forming the phonetic word 'M(e)r'. Edwards showed that the determinative for the word 'r', which means 'to ascend', is, in fact, the sign to denote a stepped pyramid or Primeval Mound.¹²⁴ He then pointed out that the 'm' sign, which means 'place', has led him to conclude that the word 'Mer', therefore, could mean 'the place of Ascension'.125

THINK

99 NAMES OF GOD THAT GOD OF NAMES 99

I = ME + R.  AND M+E+R = 9 AND 9 = ME AND ME = I AND I = 9 AND 9 IS THE I

THINK

MOTHER

The good brother Robert continues his story.

"Now it is unquestioned that the only physical objects that could literally be said to have 'ascended' to the summit of monumental pyramids were, of course, the Benben pyramidions, the symbols of the astral 'soul' of the transfigured Osiris-king. Thus in Fig. 13 we have the symbols of Osiris (or his 'soul'), the 'eye' and the 'throne', all meeting together at the summit of the Primeval Mound or pyramid - which should now make it clear to us that, on the one hand, the symbol of a Benben Stone with the Eye, especially when placed on the top of the 'Primeval Mound' or Pyramid, is fully interchangeable with, on the other hand, the symbol of 'the throne with the eye' - the latter forming the name of Osiris. Algebraically then, Benben with Eye = Throne with Eye = Osiris.
The reader is now asked to recall how, in the Pyramid Texts, the original Benben Stone was said to be made of iron ('star' matter, i.e. meteoritic iron). It is, therefore, very significant to note that in the Pyramid Texts the 'throne' of Osiris is frequently said to be made of 'iron', the same cosmic stuff from which the 'bones' of the astral souls were also made:
I [the Osiris-king] ascend to the sky. . . I sit on this iron throne of mine. . .126
May you [the Osiris-king] remove yourself to the sky upon your iron throne. . .127
     You will ascend to the sky. . . you being seated upon your iron throne. . . you have traversed the Winding Waterway in the north of the sky as a star. . . the
     Duat has grasped your hand at the place where Orion is . . . (the celestial 'Giza '?)128
    Now here is the consequence of all this: the idea of the returning phoenix coming to 'the place where Orion is' (i.e. the celestial Gizal29) in order to announce a new messianic age is symbolised by the act of placing a capstone on top of a monumental pyramid. An idea, of course, that is also applicable to the return of a messianic figure at the opening of a new age which, in Christian lore, suggests similarities with the 'Second Coming' of Christ. Page 87 / Fig. J S. Pyramid texts. Note 'throne and eye' name of Osiris compounded
with the name of the pharaoh Unas (in the cartouche).
    The reader will notice, however, that in Fig. 13 there is within the Pyramid/Mound itself another figure, that of a hawk-headed mummified man lying on its back. Rundle Clark described this mysterious entity as the 'recumbent figure of Osiris or a symbol which represents him'. But what symbol could that be? A clue is given by Wallis Budge in his description of the combined god Osiris-Sokar 'in which he appears as a hawk-headed mummy'.130 There is, too, an almost identical recumbent hawk-headed figure depicted on the wall of the temple of Denderah in Upper Egypt which is also referred to as Sokar-Osiris of Busiris131 (see Fig. 8) . Here we see Sokar-Osiris lying on a catafalque or bed the base of which is shaped like the Aker lion; on one side of the bed stands the goddess Isis, and on the other side Nephtys.132 It is clear that by equating this imagery to the statement made in the Shabaka Stone quoted on page 66 we get, in fact, the very same imagery in words.
   Bearing all this in mind, let us now compare Fig. 1 showing the Fifth Division and the House of Sokar with Fig. 10 showing the stepped pyramid/Mound and Osiris on his throne. In Fig. 13 we see the god Sokar holding the plumes of the giant serpent in the House of Sokar surmounted by a Pyramid/Mound, and in Fig. 13 we see the same entity lying within or under a stepped-pyramid/Mound. The 'Mound' in Fig. 13 is, as Rundle Clark pointed out, a representation of the 'Creation Mound'. But what of the 'Mound' in Fig. 10? Let us examine this / Page 87/ 88 / Let us examine this / 'Mound' more closely. At the top of the Mound in Fig. 10 are two symbols, one a human head and the other a bell-shaped object (identified, as we have seen earlier, as an omphalos or sacred geodetic marker)"

Brother Robert, having paused to take breath continued onwards ever onwards, ever upwards, always and forever keeping

THAT ISISIS I OF EYES

REACHING TOWARDS THE SUMMIT

OF

THE

MAGIC

MOUNTAIN

SECRET CHAMBER

THE QUEST FOR THE HALL OF RECORDS

Robert Bauval

1999

Page 87/ 88 / "Let us examine this / 'Mound' more closely. At the top of the Mound in Fig. 10 are two symbols, one a human head and the other a bell-shaped object (identified, as we have seen earlier, as an omphalos or sacred geodetic marker)") which is flanked by two kites.133 The two kites, according to Egyptologist George Hart, symbolise the goddesses Isis and Nephtys134 - again a pictorial depiction of what is in the Shabaka text. Rundle Clark explains further by saying that the omphalos-shaped object is yet another hieroglyphic sign to denote the Primeval Mound.I35 As for the human head that crowns the Pyramid/Mound, the hieroglyphic texts that accompany it state that this is 'the flesh of Isis who is above the sand of the land of Sokar,.I36 Now the name of Isis, like that of Osiris, is a Grecian derivative. The true name of the goddess in the ancient Egyptian language is Ast, which in its oldest form was written with two signs, one of which was a 'throne'. We can now see that the 'throne' of Isis, the omphalos-shaped object and the 'throne' and 'eye' of Osiris all merge in the complex symbolism of the Primeval Mound and, by extension, also of the original Benben/Pyramidion capstone. The star sirius, as we shall see later, is also representative of Isis, and could also be interchanged with these symbols at the top of the 'Mound'. But there is more. according to George Hart again, the Pyramid/Mound is representative of the desert 'tomb of Osiris', i.e. the 'burial place of Osiris' in the 'House of Sokar' in Rostau (i.e. Giza).137 it thus follows that the stepped- pyramid/Mound in which lies the recumbent hawk-headed figure is representative of the 'tomb of Osiris-Sokar' at giza. As for the huge recumbent sphinx called Aker which protects this 'tomb', we have already seen how many agree that it represents the Great Sphinx of Giza (i.e. Rostau). The overall conclusion is thus inevitable: the Egyptians, from the earliest of times, believed that somewhere underneath the bed- rock of Giza, and more specifically somewhere underneath the area where the Great Sphinx stands, was to be found the 'tomb of Osiris'.
Intriguingly, however, all these depictions and interchanging symbols are also extremely suggestive that this tomb is in the form of a pyramidal structure or 'Mound'. Could it not be that the various connections between the 'throne of Isis', the idea of a 'star' and the symbol of the Benben may, in themselves, also point to another secret chamber concealed within the core of the Great Pyramid or Simon Cox's 'Mound'? We shall review the evidence which leads to such an exciting conclusion for the Great Pyramid later on. Meanwhile the reader should also bear in mind that we shall also later see how [1] the goddess Isis was herself identified with the star Sirius whose hieroglyphic name, 'Sept', is composed of the signs denoting a Benben and a 'five-pointed star'; [2] / Page 89 / how the Benben and the five-pointed star meet up in the 'missing' capstone of the Great Pyramid of Giza; and [3] how the southern shaft of the Queen's Chamber in the Pyramid was not only directed to Sirius but that at its end, two hundred feet deep into the heart of the Pyramid, lies a small 'door' which many believe could lead to a secret chamber.
In the meantime I was faced with a web of tantalising and complex ideas which although they were floating next to each other in my mind, nonetheless lacked that catalyst I needed to bring them together. Yet at the same time I could not shake off the strong feeling that here, in this strong brew of symbols, was the rudiments of an arcane 'message' which, like the proverbial X on a treasure map, seemed to mark the location of the Fifth Division of the 'Duat', i.e. the House ofSokar, somewhere. in the Giza necropolis. As strange as it seemed, it was as if I was being 'guided' by the star Sirius whose rays, as it were, illuminated the deep and dormant recesses of my memory. But how could this be? Why did such strange and 'far out' ideas trouble my mind? And why, too, was I making an almost unconscious association of that star with the 'missing' capstone of the Great Pyramid? It did not make any sense. Yet to another side of my mind, a side that responded not with the limitation of the rational process but rather with the intuitive and creative faculties, it did seem to make 'sense'. Was I perhaps being made receptive, in some strange and inexplicable way, to some powerful subliminal message that was locked in the symbolic stellar lore of the ancient Pyramid builders and their cuI tic images? A 'message' which was not primarily intended for me or indeed for anyone else today, but had been long ago aimed at primed initiates of the Heliopolitan cult? Was I the unsuspecting victim - or beneficiary - of a devastatingly powerful Hermetic device?
It was at that point of impasse in my investigation that I suddenly remembered the so-called 'wider plan' of the star correlation theory presented in my first book, The Orion Mystery. In a section of that book termed 'Signpost to the Benben Stone', I had shown how the vast region which encompassed the Giza necropolis, the temple of Heliopolis and a third site known as the Khem (the Letopolis of the Greeks)138 together defined over the landscape a huge 'Pythagorian' right-angled triangle (see Figs 16 and 19).139 Let us note in passing that the name Khem is extremely reminiscent of the name 'Khemmis', the latter being the place on the west bank of the Nile in the Delta region where, according to Egyptian mythology, Isis gave birth to Horus. 140 I had also suggested that the three corners of this 'Pythagorian' triangle were probably specifically and deliberately marked by [1] the apex of the Great Pyramid; [2] the apex of the Heliopolitan 'Mound' (the Benben); and [3] the apex of a / (page 90 Figure16 0mitted) / Page 91/ tower that had apparently once stood at Khem-Letopolis.141 Much in this curious geometrical arrangement was suggestive that the link between these three sites provided a sort of giant 'signpost' that led to the entrance of the Great Pyramid and, ultimately, through the narrow shafts shooting skywards toward 'the place where Orion is' which the Pyramid Texts tell us is where the 'gates of the Duat', i.e. Rostau, could to be found142:
I shall not be turned back at the gates of the Duat. I ascend to the sky with Orion
 . . . I am one who collects for himself his efflux in front of Rostau . . .143
You will ascend to the sky. . . you being seated upon your iron throne. . . you have traversed the Winding Waterway in the north of the sky as a star. . . the Duat has grasped your hand at the place where Orion is. . .144
In this ground plan, furthermore, I had shown how the Great Pyramid itself represented a star in Orion's belt, Zeta Orionis, and how Khem- Letopolis probably represented the corresponding position of the star Sirius near the west banks of the Milky Way.145 With these thoughts in mind, I also recalled a statement made by the French Egyptologist George Goyon in connection with the Great Pyramid which now, in the light of what has just been said, took on a new and eerie significance. 'The monument,' Goyon had written, 'was placed under the stellar protection of the god Horus. . .,146We shall see later how the 'star' of Horus was, in actual fact, also the star Sirius. Suffice at this stage to mention that in the ancient Pyramid Texts, as well as in all other religious literature of ancient Egypt, the stellar Horus was said to have been born from the 'womb of Sot his', the name given by the Greeks of Egypt to Isis-Sirius. 147 In The Orion Mystery there is an appendix entitled 'The Survival of the Star Religion' where I presented a detailed analysis on how in ancient Egyptian texts - such as the Carsberg I Papyrus, for example - the apparent nine-months (273 days) cycle of the star Sirius measured from its meridian passage was likened to the gestation cycle of the human foetus - which led me to conclude that the 'seeding of the womb of the goddess Sirius-Isis' mentioned in the Pyramid Texts was probably imagined to take place when Sirius was observed at the south meridian at dawn.148 During the Pyramid Age this important event occurred, incidentally, some twenty days before the autumn equinox when the sun was right on top of the 'scales' of the zodiacal constellation of Libra. 149 The zodiacal constellation of Libra was almost certainly associated with the cosmic 'scales' often seen in funerary vignettes depicting the so- called Judgement Scene of the 'weighing of the heart' and where Osiris is /
Page 92 / shown seated upon his throne flanked by Isis and Nephtys.150 The alignment of Sirius with the meridian axis of the Great Pyramid and also the southern shaft of the Queen's Chamber thus created a powerful sky- ground ritualistic setting for the 'seeding of the womb of Isis' with the embryo of the future Horus-king.151 I thus postulated that this was a powerful king-making ritual which during the Pyramid Age may well have been enacted inside the Queen's Chamber of the Great Pyramid with an ithyphallic statue of the king (or perhaps even his mummy) placed in front of the opening of the southern shaft.152 And it was this very shaft, as we have said, that led to a 'door' deep within the core of the Pyramid...
The probability for the existence of a secret chamber - or even a second one - at Giza, under the Sphinx or inside the Great Pyramid, is very high indeed. But assuming that secret chambers do exist at Giza, concealed there by the original builders of that site, then what would be their purpose? What cargo could be so precious, so obsessively important to preserve, which could induce a people to undertake such a vast and mind-boggling construction enterprise? What could possibly have been considered so valuable, so meaningful, so vitally necessary to posterity, to have it guarded by such a mighty memorial?
One word springs to mind: 'knowledge'. The knowledge of Thoth.
I According to the most conservative estimates, there are 4500 years that separate us from the supposed construction of the Giza necropolis. Could the system of knowledge of those ancients who planned Giza have somehow survived through this immense period of time? And was it inscribed, as all the ancient texts suggest, on tablets and slabs by the hand of the god Thoth himself? Are these safely preserved in hermetically sealed rooms? And, more importantly, is there tangible or scientific evidence to verify such a hypothesis? Has anyone tried? Who? And what have they found?
Yet before we tackle these provocative questions, we need to see how a substantial portion of this legendary 'knowledge' might have been transmitted across the ages through another route - one so well concealed that it has hitherto escaped the attention of the Egyptologists and historians altogether. Concealed, I will suggest, in a 'place' that no one can reach with spade, scalpel or radar, but only through an initiatory process that the 'knowledge' was designed for. Because not all knowledge, as the ancient master initiates knew so well, is something that one merely recorded in books and inscriptions; rather, true knowledge was better 'deposited' in a much vaster crucible and far more sophisti- cated device at their disposal: the memory of man. As we shall now see, / Page 93 /such powerful ideas may, indeed, have been preserved by inserting them, like some archaic intellectual microchip, deep into the body of new belief systems and promising religious and intellectual movements, in order for them to be carried forward through periods of danger and tribulations. And when the 'time was right and good', these ancient ideas could be reawakened from their millennial slumber."

SECRET CHAMBER

THE QUEST FOR THE HALL OF RECORDS

Robert Bauval

1999

Page 346

A MASTER-PLAN FOR THE THREE PYRAMIDS OF GIZA
BASED ON THE CONFIGURATION OF THE THREE STARS OF THE BELT OF ORION

"The Pyramid Texts embody the remnants of a well-structured star-cult, the main theme of which was the transfiguration of the dead pharaohs into stars <1>. Examination of the Pyramid Texts reveals that the dominant stars of this cult were those of the constellation of Orion. The special attention given to Orion can be understood in several ways: it is the most striking of the constellations, in the archaic Period, it happened to rise in midsummer at dawn (c.2600 BC), as though a celestial herald of the forthcoming yearly nilotic flood. Consequently, the appearance of Orion after a prolongued period of 'invisibility' was taken as the celestial event preluding a new season of rejuvenation and growth of nature as a whole. Mythologically, Orion was thus seen as the celestial representation of Osiris, the god of rebirth/resurrection, and with whom all the dead pharaohs, as star-gods, were identified <2>. Thus the Pyramid Texts proclaim: 'Behold, he has come as Orion, behold Osiris has come as Orion...O king, the sky conceives you with Orion, the dawn-light bears you with Orion, you will regularly ascend with Orion from the eastern region of the sky, you will regularly descend with Orion into the western region of the sky...' (pyr.820-822). 'O king, you are this great star, the companion of Orion, who traverses the sky with Orion, who navigates the Netherworld with Osiris, you ascend from the east of the sky, being renewed in your due season, and rejuvenated in your due time.' (pyr.882). 'Live, be alive! Be young beside your father, beside Orion in the sky...' (pyr. 2180).<3>.

 The Egyptian knew Orion under the name of 'Sah'. They imagined 'Sah' as a male anthropomorphic figure undoubtedly representing Osiris. Several drawings of 'Sah' dating from the New Kingdom are known, notably from the tomb of Senmut (south hall ceiling), where 'Sah' is depicted as a man standing on a boat, holding the Ankh symbol in one hand and a staff in the other, above his head are three large stars in a row, the topmost star slightly deviated to the left (see plates)<4>. There can be little doubt that these three stars are Zeta, Epsilon and Delta Orionis -the Belt Of Orion- which form the same characteristic pattern at the centre of the constellation <5>. It is to be noted that this pattern has not perceptibly changed since the time of the Pyramid Age (c.2700 BC-2150 BC). This is because these three stars are well-over 1000 light-years away, and consequently no proper motion is normally registered for them. In any case, any undetected annual proper motion would probably be below the l/lOOOth of a second level, thus far too small for the span of time considered to cause any perceptible change in the pattern of the three stars <6>. In short, the characteristic pattern formed by the three stars of the belt of Orion appears the same to us as it did to the Egyptians who built the Great Pyramid (c.2600 BC).

OXFORD DICTIONARY OF ASTRONOMY

Ian Redpath

1997

Page 52

"Betelgeuse The star AlphaOrionis, the tenth-brightest star in the sky. It is an M2 supergiant and a semiregular variable, fluctuating between magnitudes 0.0 and 1.3 in a period of several years, with an average magnitude of 0.5. Its distance and luminosity are poorly determined. Some estimates place it around 400 l.y. away, much closer than the stars in the Orion Association, with a luminosity 5000 times the Sun's. But if it is at the same distance as the Orion Nebula, 1400 1.y., its true luminosity would be over 50000 times the Sun's. Betelgeuse is an extremely large star, hundreds of times the diameter of the Sun. Its variations in brightness occur as it swells and contracts in size.

Page341

"Orion (abbr. Ori, gen. Orionis) A magnificent constellation on the celestial equator, representing a great hunter of Greek mythology. Orion is outlined by the prominent stars *Betelgeuse (Alpha Orionis), *Rigel (Beta Orionis, the / Page 342 / Orion Arm 342
constellation's brightest star), *Bellatrix (GammaOrionis), and *Saiph (Kappa Orionis). A line of three stars, * Alnilam (Epsilon Orionis), * Alnitak (Zeta Orionis). and *Mintaka (Delta Orionis), make up the Belt of Orion. The famous *Orion Nebula, M42, contains the multiple star known as the *Trapezium. On the southern edge of the Orion Nebula is the double star Iota Orionis, magnitudes 2.8 and 6.9. North of the Orion Nebula is another bright nebula, NGC 1977, and
further north again is the 5th-magnitude open cluster NGC 1981. 'Phis complex of nebulosity and clusters forms the Sword of Orion, hanging from Orion's belt.
Sigma Orionis is an impressive multiple star of magnitudes 3.8, 6.6, 6.7, and 8.8. Eta Orionis is a close double, magnitudes 3.8 and 4.8. The dark *Horsehead Nebula intrudes into a faint strip of nebulosity, IC 434, which runs south of Alnitak. The *Orionid meteors radiate from the constellation every October.
Orion Arm The local spiral arm of our Galaxy. The Sun lies near its inner edge, that is, towards the galactic centre. All the main  naked eye stars are part of the Orion arm, including those of Orion itself, The arm stretches towards Cygnus in one direction, and towards Puppis andVela in the opposite direction. Features in the Orion Arm include the *Gum Nebula, the *Orion Nebula, the *North America Nebula, the *Cygnus Loop, and the *Great Rift. The Orion arm was once thought
to be a connecting link between larger structures in our Galaxy; hence it is sometimes also known as the Orion Spur.
Orion Association A large association of very young stars of spectral types O
and B, centred on the *Orion Nebula, 1500 l.y. away. It is about 400 l.y. across and contains all the main stars of Orion, except Betelgeuse. The area is still partly shrouded in gas from which stars continue to fo1'In.
Orionid meteors A meteor shower showing modefate activity between
October 15 and November 2. The activity pattern is complex, with sevefal peaks and troughs, presumably reflecting the filamentary nature of the meteor stream laid down over several perihelion returns by *Halley'sComet. A broad maximum, with ZHR reaching 30, is seen fora couple ot'days around October 21, from a radiant at RA 6h 24m, dec. +150 (between Betelgeuse and Gamma Geminorum). Orionid meteors are very swift (geocentric velocity 66 km/s), and a high proportion leave persistent trains, but most are faint.
Orion Molecular Clouds A group of large clouds of gas and dust 1500 l.y. away in the constellation Orion, the nearest examples of * giant molecular clouds. Each cloud is over 100 l.y. across and contains more than 100000 solar masses of gas, mostly in the form of hydrogen molecules. The young stars of Orion formed from these clouds within the last 10 million years. New stars aIle stin forming in dense
molecular cores within the clouds, hidden from sight by the dust, but detectable as
sources of infrared and molecular radiation. The best-known molecular cores are
designated OMC-l and OMC-2. \.
Orion Nebula A large and bright nebula, 1500l.y. away in the constellation
Orion; also known as M42 or NGC 1976. The nebula covers more than 10 x 1. of
sky and is faintly visible to the naked eye as a fuzzy patch around the multiple star
Theta 1 Orionis, also known as the *Trapezium, The ultraviolet light from the
Trapezium stars ionizes the nebula. The Orion Nebula is over 20 l.y. in diameter, and contains several hundred solar massesot' ionized gas. It forms al hot blister on the near side of one of the massive *Orion Molecular Clouds.
Orion Spur Alternative name for the *Orion Arm of our Galaxy, given when it was thought to be a branch of the *Perseus Arm.

 

5	ALPHA	38		20	=	2	ORIONIS	99		45		9
	4	BETA	28		10	=	1	ORIONIS	99		45		9
	5	GAMMA	35		17	=	8	ORIONIS	99		45		9
	5	DELTA	42		15	=	6	ORIONIS	99		45		9
	7	EPSILON	90		36	=	9	ORIONIS	99		45		9
	4	ZETA	52		16	=	7	ORIONIS	99		45		9
	3	ETA	26		8	=	8	ORIONIS	99		45		9
	5	THETA	54		18	=	9	ORIONIS	99		45		9
	4	IOTA	45		18	=	9	ORIONIS	99		45		9
	5	KAPPA	45		18	=	9	ORIONIS	99		45		9
	6	LAMBDA	33		15	=	6	ORIONIS	99		45		9
	2	MU	34		7	=	7	ORIONIS	99		45		9
	2	NU	35		8	=	8	ORIONIS	99		45		9
	2	XI	33		15	=	6	ORIONIS	99		45		9
	7	OMICRON	87		42	=	6	ORIONIS	99		45		9
	2	PI	25		16	=	7	ORIONIS	99		45		9
	3	RHO	41		23	=	5	ORIONIS	99		45		9
	5	SIGMA	49		22	=	4	ORIONIS	99		45		9
			792

SECRET CHAMBERS

Robert Bauval

1

999

Page 46

"The point that is being made here is that there existed a sacred science in Egypt that could only be imparted to gifted individuals with a strong predisposition for intuitive learning - the type of learning that is done with the human apparatus of perception, with the fine tuning of the five senses such that they functioned jointly as super receivers and transmitters of messages. Thus the initiation or training of natural magicians was to fine-tune the sensory perception. Anyone can fine-tune his sense to 'read' the messages of nature. However, to be a magician is to be able to reverse the process, i.e. to transmit the messages to others by using the 'language of the gods'. This is the arcana arcanorum, the ultimate secret of the magician. Thoth, the inventor of this magic, was supreme in its application. Equipped with such a cognition of Thoth, we can now examine the purpose of his divine mission as 'messenger' of the gods."

INSTEAD OF USING THE TERMINOLOGY

 I, ME, EGO, OUR, CONSCIENCE.

 USE THE BLESSED AND

HOLY WHOLLY HOLY

NUMBER

9

AND THAT YOU AS IN THE TRANSPOSED WORD YOU WITH NUMERICAL ROOT VALUE

7

SURELY  WILL 7 START TO HEAR

THE MUSIC OF THE SPHERES

THE

MUSIC OF THE SPHERES

 

1	occurs	x	3	=	3			3
2	occurs	x	1	=	2			2
3	occurs	x	2	=	6			6
4	occurs	x	1	=	4			4
5	occurs	x	3	=	15	1+5	=	6
6	occurs	x	2	=	12	1+2	=	3
7	occurs	x	1	=	7			7
8	occurs	x	2	=	16	1+6	=	7
9	occurs	x	2	=	18	1+8	=	9

THE

MAGIKAL  ALCHEMY OF THE NINE

NINE IN ADDITION NINE IN CONTRACTION NINE IN DIVISION

THE  A TO Z OF THE

THE

MAGIKALALPHABET

FINGERPRINTS OF THE GODS

G Hancock

1995

Page 287

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics."

"Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3"

WHAT ONE WOULD LOOK FOR THEREFORE WOULD BE A UNIVERSAL LANGUAGE THE KIND OF LANGUAGE COMPREHENSIBLE TO ANY TECHNOLOGICALLY ADVANCED SOCIETY IN ANY EPOCH

SUCH LANGUAGES ARE FEW AND FAR BETWEEN BUT MATHEMATICS IS ONE OF THEM

NINE like all else, Gods symbol and special name. NINE the sign of that intangible creative moment of change, the symbol NINE  

It is that which indicates within the eternal continuum the death, and rebirth of our creative fecund living consciousness. That which in heralding the death knell of a life does triumphantly proclaim its immortality. It is the very essence of that from which which the fabric of reality is spun.

 It is the mystery of all such variations of numerical, alchemical distillations, which, within the magic of Hermetic transubstantiation conjure up that blessed moment of magic occasioned as the majestic Nine and another spark, It denotes eternal change, the twisting and turning of the numerical kaleidoscope, searching for and casting the combinations of numbers that transmute from out of patterned potential the imperishable Gold of the sacred symbol that is the Nine.The magical symbol that denotes the act of creation . The God Symbol.It is the moment of equilibrium, the act of balance, the moment of transfer, it is that that, that effects the transition betwixt and between Heaven and Earth. It is the symbol of the upside down of the downside up and the downside up of the upside down. Its fusion with a brother and sister number marks the stirring and return of the God Osiris. It is the manifestation of that metamorphosizing state of being of which all are. It is the very symbol of the living energy that is indestructable. It proclaims that Thou that issues forth from the very font of the fulcrum of energies that constitute the fusion of mind and matter. It is  thus indicative of that quintessential moment of time stood still. It is the shewn signal.of an indescribable magic It is the creative evocation of the birth that arises in both directions at one and the same time. It is the symbol of Alpha and Omega the A to Z of the Magikalalphabet.

Revealing the true nature of the meaning of the Nine Seven And Three is our sacred mission scribe said Aliz Zed the thou that is thee and the thou that is me constitute the he as in she that is the Journeyman .We have said no more than enough scribe Now it is time to move on.

The arithmetical subterfuge comment, insertions and insinuations.

Are those of the Zed Aliz Zed as recorded by the far yonder scribe

RAMESSES

Egypt's Greatest Pharaoh

Joyce Tyldesley 2000

Page xxvi

 "The Egyptians wrote their hieroglyphic texts without vowels, using consonants not found in our modem alphabet. In consequence, although we can read and understand the ancient writings we cannot be certain of the correct pronunciation of any word or name. This explains why different authors refer to the same individual by seemingly different names. Ramesses II, for example, variously appears in print as Ramesses, Ramses, Ramesse and Remeses while Queen Nefertari occasionally occurs as Nofretari. Throughout this book the most simple and widely accepted version of each proper name has been used with Ramesses preferred to the increasingly popular Ramses as the former most accurately represents the original Egyptian name. I follow current convention in using the words king and pharaoh interchangeably".

Page 1

1

Introducing Ramesses

"Some of Egypt's kings and queens have emerged from the obscurity of the tomb in sudden and spectacular fashion. The decoding of hieroglyphics, a tantalizing mystery until 1822, revealed the unexpected existence of the two aberrant New Kingdom pharaohs Hatchepsut and Akhenaten. The 1912 recovery of a magnificent portrait head from the ruined city of Amarna brought the beautiful Queen Nefertiti back to life, Above all, the unparalleled 1922 discovery of a virtually intact royal tomb in the Valley of the Kings allowed the hitherto insignificant boy-king Tutankha- men to triumph over death. Ramesses II, however, has never been in need of such a renaissance. Over the three millennia that have passed since his reign, his name - albeit in a distorted form - has never been forgotten.
Sixty-six relatively peaceful years on the throne had allowed Ramesses ample opportunity for self-promotion. By the time of his death in 1213 BC his monuments and image were to be found in every comer of his realm, The name of Ramesses was known and respected throughout the varied but inter-related kingdoms which made up what archaeologists now term the' Ancient World' - a wide circle of states encompassing Northern Turkey, Iran, Central Africa, Libya and the Balkans and extending as far west as Italy and even Spain. Within Egypt the highly efficient royal propaganda machine had elevated Ramesses to the status of living legend with divine attributes. In Nubia, Ramesses had already become a fully fledged god. A fortunate combination of circumstances - optimal Nile floods leading to good harvests, international stability and, of course, the extraordinary longevity which caused Ramesses to outlive not only his contemporaries but many of his children and grandchildren - had allowed Egypt to enjoy a continuity of government which was the envy of her neighbours. Whether by good luck or good management, Egypt flourished under Ramesses, and her people were grateful"

EGYPT = 5 777 2 and 5+2 =7

Read it again 7777

CHRONICLE OF THE PHARAOHS

Peter A.Clayton 1994

 

RAMESSES I		1293-1291	99		27		9
RAMESSES II		1279-1212	99		27		9
RAMESSES III		1182-1151	99		27		9
RAMESSES IV		1151-1145	99		27		9
RAMESSES V		1145-1141	99		27		9
RAMESSES VI		1141-1133		99		27		9
RAMESSES VII		1133-1126		99		27		9
RAMESSES VIII		1133-1126		99		27		9
RAMESSES IX		1126-1108		99		27		9
RAMESSES X		1108-1098		99		27		9
RAMESSES XI		1098-1070		99		27		9